Peter Paul Rubens
Peter Paul Rubens's Oil Paintings
Peter Paul Rubens Museum
June 28, 1577 – May 30, 1640. Flemish Baroque painter.

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Here are all the paintings of Johann Heinrich Fuseli 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
62502 Brunhilde Observing Gunther Johann Heinrich Fuseli Brunhilde Observing Gunther Whom She Has Tied to the Ceiling 1807 Pencil, pen and ink and wash, 483 x 317 mm City Museum and Art Gallery, Nottingham The subject is taken from the Niebelung Saga (X, 648-50). Author: FUSELI, John Henry Title: Brunhilde Observing Gunther, Whom She Has Tied to the Ceiling Form: graphics , 1751-1800 , Swiss , other
71063 cauchemar Johann Heinrich Fuseli cauchemar mk289 1781 detroit the detroit lnstiute of arts
43943 Dante and Virgil on the Ice of Kocythos Johann Heinrich Fuseli Dante and Virgil on the Ice of Kocythos 390 x 274 mm
91469 Die Einsamkeit bei Tagesanbruch Johann Heinrich Fuseli Die Einsamkeit bei Tagesanbruch 1794-1796 Medium oil on canvas Dimensions Deutsch: 95 x 102 cm cjr
89245 Die Sunde, vom Tod verfolgt Johann Heinrich Fuseli Die Sunde, vom Tod verfolgt 1794-1796 Medium oil on canvas Dimensions Deutsch: 119 x 132 cm cjr
44114 Ezzelin and Meduna Johann Heinrich Fuseli Ezzelin and Meduna 1779 Oil on canvas, 45,7 x 50,8 cm
83417 Fairy Mab Johann Heinrich Fuseli Fairy Mab 1815-1820 Medium Oil on canvas Dimensions Deutsch: 70 x 90 cm cyf
94426 Johann Heinrich Fussli im Gesprach mit dem Zurcher Historiker und Literat Johann Jacob Bodmer Johann Heinrich Fuseli Johann Heinrich Fussli im Gesprach mit dem Zurcher Historiker und Literat Johann Jacob Bodmer 1778-1781 Medium oil on canvas Dimensions Deutsch: 163 x 150 cm cjr
94428 Kriemhild zeigt Gunther im Gefangnis den Nibelungenring Johann Heinrich Fuseli Kriemhild zeigt Gunther im Gefangnis den Nibelungenring 50 x 38,4 cm 1807 cjr
80605 Lady Macbeth receives the daggers Johann Heinrich Fuseli Lady Macbeth receives the daggers Date 1812(1812) Medium oil on canvas Dimensions 101.6 x 127 cm
52497 Lady Macbeth with the Daggers Johann Heinrich Fuseli Lady Macbeth with the Daggers 1812 Oil on canvas, 101,6 x 127 cm
66526 Liegende Nackte und Klavierspielerin Johann Heinrich Fuseli Liegende Nackte und Klavierspielerin 71 ?? 99 cm (27.95 ?? 38.98 in) 1799-1800
70900 Liegende Nackte und Klavierspielerin Johann Heinrich Fuseli Liegende Nackte und Klavierspielerin 1799-1800 Oil on canvas 71 x 99 cm (27.95 x 38.98 in)
71909 Liegende Nackte und Klavierspielerin Johann Heinrich Fuseli Liegende Nackte und Klavierspielerin Date 1799-1800 Dimensions 71 x 99 cm
70853 Nachtmahr Johann Heinrich Fuseli Nachtmahr Medium Oil on canvas Dimensions 101,6 x 127 cm
62845 Portrait of a Young Woman Johann Heinrich Fuseli Portrait of a Young Woman 101 x 127 cm Institue of Arts, Detroit This portrait is painted on the reverse of the Nightmare. The portrait is generally believed to be of the woman Fuseli loved, Anna Landolt, who was a niece of the Zerich physiologist Johann Caspar Lavater (1741-1801). Lavater and Fuseli were close friends, but Fuseli's suit was rejected by Anna's parents, and it may not be coincidence that the portrait is on the reverse of his painting The Nightmare. Artist: FUSELI, John Henry Title: Portrait of a Young Woman , painting Date: 1751-1800 Swiss : portrait
94427 Reiter von Riesenschlange uberfallen Johann Heinrich Fuseli Reiter von Riesenschlange uberfallen 39 x 31,5 cm c. 1800 cjr
52492 Silence Johann Heinrich Fuseli Silence 1799-1801 Oil on canvas, 63,5 x 51,5 cm
74235 Sleep and Death carrying away Sarpedon of Lycia Johann Heinrich Fuseli Sleep and Death carrying away Sarpedon of Lycia Date 1803 Medium Oil on canvas Dimensions Deutsch: 91,4 X 71 cm cyf
62501 The Artist Moved by the Grandeur of Antique Fragments Johann Heinrich Fuseli The Artist Moved by the Grandeur of Antique Fragments 1778-79 Red chalk on sepia wash, 415 x 355 mm Kunsthaus, Z?rich The young Henry Fuseli, in the late 1770s, portrayed himself reduced to despair before the vastness of Rome's remains. Since he had spent eight years studying in the city, his awe was doubtless exaggerated, but it was also a premonition of the powerful emotions that were to be released in his art. Author: FUSELI, John Henry Title: The Artist Moved by the Grandeur of Antique Fragments Form: graphics , 1751-1800 , Swiss , other
80377 The Awakening of the Fairy Queen Titania Johann Heinrich Fuseli The Awakening of the Fairy Queen Titania Date 1775-1790 Medium Oil on canvas Dimensions Deutsch: 222 x 280 cm cjr
84626 The Awakening of the Fairy Queen Titania Johann Heinrich Fuseli The Awakening of the Fairy Queen Titania 1775-1790 Medium Oil on canvas Dimensions Deutsch: 222 x 280 cm cyf
40607 The Nightmare Johann Heinrich Fuseli The Nightmare mk156 1781 Oil on canvas 101.6x127cm
66529 The Nightmare Johann Heinrich Fuseli The Nightmare Oil on canvas 101,6 ?? 127 cm 1781
52491 The Shepherd's Dream Johann Heinrich Fuseli The Shepherd's Dream 1793 Oil on canvas, 154,5 x 215,5 cm
44115 The Shepherd-s Dream Johann Heinrich Fuseli The Shepherd-s Dream 1793 Oil on canvas, 154,5 x 215,5 cm
91388 Theodore Meets in the Wood the Spectre of His Ancestor Guido Cavalcanti Johann Heinrich Fuseli Theodore Meets in the Wood the Spectre of His Ancestor Guido Cavalcanti 1783(1783) Medium oil on canvas Dimensions 276 x 317 cm (108.7 x 124.8 in) cyf
70817 Titania is leevtallig met Bottom met de daare Eselkopp Johann Heinrich Fuseli Titania is leevtallig met Bottom met de daare Eselkopp Medium Oil on canvas Dimensions 169 x 135 cm
66528 Titania liebkost den eselkopfigen Bottom Johann Heinrich Fuseli Titania liebkost den eselkopfigen Bottom 1793/1794 169 ?? 135 cm (66.54 ?? 53.15 in) Oil on canvas

Johann Heinrich Fuseli
1741-1825 Romanticism Swiss
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