Peter Paul Rubens
Peter Paul Rubens's Oil Paintings
Peter Paul Rubens Museum
June 28, 1577 – May 30, 1640. Flemish Baroque painter.

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Here are all the paintings of rubens 08

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
20424 The Queen's Reconciliation with Her Son (mk05) rubens The Queen's Reconciliation with Her Son (mk05) Canvas,155 x 116 1/4''(394 x 295 cm)INV 1788
20150 The Raishing of the Cross (mk01) rubens The Raishing of the Cross (mk01)   
3674 The Raising of the Cross rubens The Raising of the Cross 1620-21 Musee du Louvre, Paris
20156 The Raising of the Cross (mk01) rubens The Raising of the Cross (mk01) C.1610 Oil on panel; central panel; 68x51cm, 26 3/8x9 7/8in Musee du Louvre, Paris
20159 The Raising of the Cross (mk01) rubens The Raising of the Cross (mk01)   
20160 The Raising of the Cross (mk01) rubens The Raising of the Cross (mk01)   
20175 The Raising of the Cross (mk01) rubens The Raising of the Cross (mk01) 1620 Oil sketch for the Jesuit ceiling Oil on panel; 32x37cm 12 5/8x14 5/8in Musee du Louvre, Paris
20485 The Raising of the Cross (mk05) rubens The Raising of the Cross (mk05) Wood,12 1/2 x 14 1/2''(32 x 37 cm)Sketch for part of the ceiling of the Jesuit church in Antwerp;painted in 1620 -1621 and burned down in 1718;bequeathed in 1869
60624 The Raising of the Cross, rubens The Raising of the Cross, The Raising of the Cross, 1610?C11. Central panel. Cathedral of Our Lady, Antwerp.
85255 The Rape of Ganymede rubens The Rape of Ganymede Date 1611(1611) Medium Oil on canvas cjr
21701 The Rape of the Daughter of Leucippus (mk08) rubens The Rape of the Daughter of Leucippus (mk08) c.1618 Oil on canvas 224x210.5cm Munich,Bayerisch Staats-gemaldesammlungen Alte Pinakothek
3676 The Rape of the Daughters of Leucippus rubens The Rape of the Daughters of Leucippus 1618 Alte Pinakothek, Munich
33668 The Rape of the Daughters of Leucippus rubens The Rape of the Daughters of Leucippus mk86 c.1618 Oil on canvas 224x210.5cm Munich
40420 The Rape of the Daughters of Leucippus rubens The Rape of the Daughters of Leucippus mk156 1617-18 Oil on canvas 222x209cm
55744 The Rape of the Daughters of Leucippus rubens The Rape of the Daughters of Leucippus mk244 c.1618 Oil on canvas 224x210.5cm
84067 The Rape of the Sabine Women rubens The Rape of the Sabine Women Date between 1635(1635) and 1637(1637) Medium Oil on wood Dimensions Height: 170 cm (66.9 in). Width: 236 cm (92.9 in). cjr
87914 The Rape of the Sabine Women rubens The Rape of the Sabine Women between 1635(1635) and 1637(1637) Medium Oil on wood cyf
96999 The Reconciliation of Jacob and Esau rubens The Reconciliation of Jacob and Esau oil on panel, at the National Galleries of Scotland Date 1624(1624) cyf
96467 The Reconciliation of King Henry III and Henry of Navarre rubens The Reconciliation of King Henry III and Henry of Navarre 1628(1628) Medium oil on panel cyf
51035 The Resurrection of Christ rubens The Resurrection of Christ 1611-12 Oil on panel, 138 x 98 cm central panel
51036 The Resurrection of Christ rubens The Resurrection of Christ c. 1612 Oil on panel, 138 x 98 cm
63958 The Road to Calvary rubens The Road to Calvary 1634-37 Oil on canvas, rounded at the top, 569 x 355 cm Musees Royaux des Beaux-Arts, Brussels This painting was commissioned in 1634 for the high altar of the Abbey of Affligem, then one of the most important monasteries in the Low Countries. Tensions inside the monastery may explain why this monumental work was not delivered until 1637. In this production of his mature period, Rubens masterfully combines two artistic traditions. The first of these is that of the large single-frame altarpieces that were to replace the older polyptychs in the Southern Low Countries in the 17th century. With their exceptional scale and their strongly vertical format, they faced artists with the problem of constructing a convincing compositional unity from a series of related themes in a vertical format. As an artist gifted with one of the greatest compositional and narrative talents of his age, Rubens fulfilled his task masterfully. Instead of dividing the painting into an upper and lower register, a solution that he had often applied following Titian, he elects here to represent Christ's ascension to the place of his execution on Calvary in an uninterrupted zigzag movement. The thrust from below to above is achieved both in the colouring, with a balanced rhythm of localised concentrations of colour, and also iconographically, with the successive tableaux of the executioners with the two thieves, the holy women with Mary and Veronica, and ending with the Roman officers on horseback with their flapping pennants. The centre-point of the composition is Christ's face that St Veronica is wiping. Turned towards the viewer, it forms a direct call to the faithful to follow his life and to think on their own sins that had to be redeemed by Christ's suffering. This procedure descends directly from the tradition of devotional art, with small-scale pictures intended for individual meditation. The genius of Rubens' invention lies precisely in the combination of the two pictorial traditions, breathing new life into the ancient devotional tradition within a contemporary, counter-reformation form of altar decoration, whilst at the same time enriching the broad, sweeping movement of such a monumental high altarpiece with the more intimate emotionality of smaller devotional paintings. , Artist: RUBENS, Pieter Pauwel , The Road to Calvary , 1601-1650 , Flemish , painting , religiou
83528 The Road to Calvary rubens The Road to Calvary Date between 1634(1634) and 1637(1637) Medium Oil on canvas, rounded at the top Dimensions Height: 569 cm (224 in). Width: 355 cm (139.8 in). cjr
87387 The Road to Calvary rubens The Road to Calvary between 1634(1634) and 1637(1637) Medium Oil on canvas cyf
42691 The robbery of the daughters of Leucippus rubens The robbery of the daughters of Leucippus MK169 ca.1616-17 Shut down 222.3x209cm Alte Pinakothek Munchen
42032 The Sacred Family with Holy Isabel rubens The Sacred Family with Holy Isabel mk166 Toward 1615 I Wave on cloth 114x88cm Galeria Palace Pitti Florence
20174 The Sacrifice of Isaac (mk01) rubens The Sacrifice of Isaac (mk01) 1620 Oil sketch for the Jesuit ceiling. Oil on panel; 50x65cm 19 5/8x25 5/8in Musee du Louvre, Paris
41019 The Statue of Ceres rubens The Statue of Ceres mk159 c.1615 Oil on panel 90.5x65.5cm
28454 The Stone Carters rubens The Stone Carters mk60 ca.1620 Oil on canvas tranferred from panel 34x50"
29237 The Stone Carters rubens The Stone Carters mk65 ca.1620 Oil on canvas tranferred from panel 34x50"
3689 The Straw Hat rubens The Straw Hat 1625 National Gallery, London
84033 The Straw Hat rubens The Straw Hat Date ca. 1625(1625) Medium Oil on wood Dimensions Height: 79 cm (31.1 in). Width: 55 cm (21.7 in). cjr
87951 The Straw Hat rubens The Straw Hat 1625(1625) Medium Oil on wood cyf
20164 The Studio of Apelles (mk01) rubens The Studio of Apelles (mk01) c.1630s Oil on panel; 105x149.5cm 41 3/8x58 7/8in Mauritshuis, The Hague
20239 The Tbree Graces (mk01) rubens The Tbree Graces (mk01) Mid-1630s Oil on panel; 221x181cm 87x71 1/4in Museo del Prado,Madrid
29075 The Temle of Janus rubens The Temle of Janus mk65 ca.1635 Oil on panel 27 1/2x 26"
29076 The Temle of Janus rubens The Temle of Janus mk65 ca.1635 Oil on panel 27 1/2x 26"
20264 The Temple of Fanus (mk01) rubens The Temple of Fanus (mk01) 1634 Oil sketch for The Entry of Ferdinand. Oil on panel; 70x68.8cm 27 1/2x27in Hermitage, St Petersbury
43906 The Three Crosses rubens The Three Crosses c. 1620 Oil on canvas
3659 The Three Graces rubens The Three Graces 1636-38 Museo del Prado, Madrid
28715 The Three Graces rubens The Three Graces mk61 c.1636-1638 Oil on canvas 221x181cm
28880 The Three Graces rubens The Three Graces mk65 Oil on canvas 18 11/16x13 3/4in Pitti,Palatne Gallery
30568 The Three Graces rubens The Three Graces mk68 Oil on wood, Madrid,Prado. c.1638 Netherlands
33670 The Three Graces rubens The Three Graces mk86 1639 Ol on canvas 221x181cm Madrid,Museo del Prado
21703 The Three Graces (mk08) rubens The Three Graces (mk08) 1639 Oil on canvas. 221x181cm Madrid,Museo del Prado
20420 The Treaty of Angouleme (mk05) rubens The Treaty of Angouleme (mk05) Canvas,155 x 116 1/4''(394 x 295 cm)INV.1786
3691 The Triumph of the Church rubens The Triumph of the Church Museo del Prado, Madrid
20862 The Triumph of the Church (mk05) rubens The Triumph of the Church (mk05) Oil on panel 86x106cm
3667 The Triumph of Truth rubens The Triumph of Truth Musee du Louvre, Paris
20425 The Triumph of Truth (mk05) rubens The Triumph of Truth (mk05) Time raises Truth to take her place at the meeting between mother and son Canvas,155 x 63''(394 x 160 cm)INV .1789
29658 The Triumph of Victory rubens The Triumph of Victory c. 1614 Oil on wood
88825 The Triumph of Victory rubens The Triumph of Victory 1614(1614) Medium Oil on oak panel cyf
52001 The Triumphal Car of Kallo rubens The Triumphal Car of Kallo 1638 Oil on panel, 103 x 71 cm
28878 The Triumphal Entrance of Henry IV into Paris rubens The Triumphal Entrance of Henry IV into Paris mk65 Oil on canvas 149 5/8x272 4/16in Uffizi,Gallery
3678 The Union of Earth and Water rubens The Union of Earth and Water 1618 The Hermitage, St.Petersburg
34284 The Union of Earth and Water rubens The Union of Earth and Water mk91 ca.1618 Oil on canvas 222.5x180.5
20247 The Union of the Crowns (mk01) rubens The Union of the Crowns (mk01) 1632-4 Oil on canvas; Banqueting House, Whitehall, London
84071 The Village Fete rubens The Village Fete Date between 1635(1635) and 1638(1638) Medium Oil on wood Dimensions Height: 149 cm (58.7 in). Width: 261 cm (102.8 in). cjr
3685 The Village Wedding rubens The Village Wedding 1640 Musee du Louvre, Paris
20486 The Village Wedding (mk05) rubens The Village Wedding (mk05) Wood,581/2 x 103''(149 x 261 cm).Collection of Louis XIV;acquired in 1685 INV
20140 The Virgin and Child Adored by Angels (mk01) rubens The Virgin and Child Adored by Angels (mk01) 1608 Oil on slate; 425x250cm 167 3/8x98 3/8in Santa Maria in Vallicella, Rome
29659 The Virgin and Child in a Garland of Flower rubens The Virgin and Child in a Garland of Flower 1621 Oil on canvas, 83,5 x 65 cm
52980 The virgin mary rubens The virgin mary mk225 1609 224x200cm
52981 The virgin mary rubens The virgin mary mk225 1615-1620 44x33cm
52984 The virgin mary rubens The virgin mary mk225 oil on canvas
20138 The Wedding at Cane (mk01) rubens The Wedding at Cane (mk01) Paolo Veronese, 1562-3 Oil on canvas; 666x990cm 262 1/8x389 3/4in Musee du Louvre,Paris
20203 The Wedding by Proxy of Marie de'Medici to King Henry IV (MK01) rubens The Wedding by Proxy of Marie de'Medici to King Henry IV (MK01) 1622-5 Oil on canvas; 394x295cm 155 1/8x116 3/8in Musee du Louvre,Paris.
91324 The Wedding of Peleus and Thetis rubens The Wedding of Peleus and Thetis 1636(1636) Medium oil on canvas Dimensions 10.5/8 x 16.6/8 in cyf
52993 The Wonder of Frances rubens The Wonder of Frances mk225 1617-1618 104.5x72.5cm
20265 The Worship of Venus (mk01) rubens The Worship of Venus (mk01) 15183-20 Oil on canvas; 172x175cm 67 3/4x68 7/8in Museo del Prado, Madrid
20266 The Worship of Venus (mk01) rubens The Worship of Venus (mk01) c.1635 Copy after Titian, Oil on canvas; 195x209cm 76 3/4x82 1/4in National-museum, Stockholm
42692 The Wounds Van St. Franciscus Xaverius rubens The Wounds Van St. Franciscus Xaverius MK169 1616-17 Shut down 535x395cm
20173 TheLion Hunt (mk01) rubens TheLion Hunt (mk01) c.1621 Oil on canvas; 249x377cm 98x148 3/8in Alte Pinakothek. Munich
78836 Therese von Avila rubens Therese von Avila Deutsch: um 1615 Medium Oil on panel Deutsch: Öl auf Eichenholz Dimensions Deutsch: 67 x 69 cm cyf
79482 Therese von Avila rubens Therese von Avila Deutsch: um 1615 Medium Oil on panel Deutsch: Öl auf Eichenholz Dimensions Deutsch: 67 x 69 cm cyf
53004 Thomas rubens Thomas mk225 1629-1630 66.5x52cm
53003 Thomas comte rubens Thomas comte mk225 1629-1630 66.5x52cm
20228 Thomas Howard,Earl of Arundel (mk01) rubens Thomas Howard,Earl of Arundel (mk01) 1629-30 Oil on canvas; 122x102cm 48x40 1/8in Isabella Stewart Gardner Museum,Boston
31019 Thomyris,Rene des Scythes fait plonger la tete de Cyrus dans un vase rempli de sang rubens Thomyris,Rene des Scythes fait plonger la tete de Cyrus dans un vase rempli de sang mk70 Toile H.2.63 L.1.99 Paris,Musee du Louvre
70676 Three Graces rubens Three Graces Medium Oil on panel Dimensions Expression error: Missing operand for *119 ?? 99 cm
45935 Tiger-and Lowenjagd rubens Tiger-and Lowenjagd mk178 around 1616 oils on linen 256x324cm
84032 Tournament in front of Castle Steen rubens Tournament in front of Castle Steen Date between 1635(1635) and 1637(1637) Medium Oil on wood Dimensions Height: 72 cm (28.3 in). Width: 106 cm (41.7 in). cjr
87898 Tournament in front of Castle Steen rubens Tournament in front of Castle Steen between 1635(1635) and 1637(1637) Medium Oil on wood cyf
20487 Tournament Near the Moat of the Chateau du Steen (mk05) rubens Tournament Near the Moat of the Chateau du Steen (mk05) Wood,28 1/4 x 41 1/2''(72 x 106 cm)Collection of Louis XV;acquired in 1742
52963 Trap Liqipu-s Daughter rubens Trap Liqipu-s Daughter mk225 1616-1618 224x210cm
43661 Triumph of Church over Fury, Discord, and Hate rubens Triumph of Church over Fury, Discord, and Hate 1628 Oil on panel, 86 x 91 cm
32920 Triumph of Curch over Fury,Discord,and Hate rubens Triumph of Curch over Fury,Discord,and Hate mk84 1628 Madrid,Prado.panel 86x91cm
91426 Triumph of the Duke of Buckingham rubens Triumph of the Duke of Buckingham 1857(1857) Medium oil on canvas Dimensions 84.7 x 103.8 cm (33.3 x 40.9 in) cjr
64581 Triumphal Entry of Henry IV into Paris rubens Triumphal Entry of Henry IV into Paris 1627-30 Oil on canvas, 380 x 692 cm Galleria degli Uffizi, Florence This canvas belongs to the unfinished cycle dedicated to Henry IV and shows the king, converted and victorious, entering Paris on 22 March 1594 at the end of a long period of internal struggles. Renouncing any reference to time or place, Rubens illustrates the episode in a complex allegorical context, creating an analogy with the triumph of a Roman emperor. In particular, the group of the crowned king and the architecture of the triumphal arch (derived from the Roman prototype of the arch of Titus), surmounted by soldiers and horses, arise from en evident reinterpretation of Mantegna's painting of Caesar's Chariot. *** Keywords: ************* Author: RUBENS, Pieter Pauwel Title: Triumphal Entry of Henry IV into Paris, 1601-1650, Flemish , painting , historical
84125 Two Satyrs rubens Two Satyrs Date between 1618(1618) and 1619(1619) Medium Oil on wood Dimensions Height: 76 cm (29.9 in). Width: 66 cm (26 in). cjr
84072 Ulysses and Nausicaa on the Island of the Phaeacians rubens Ulysses and Nausicaa on the Island of the Phaeacians Date ca. 1627(1627) Medium Oil on wood Dimensions Height: 128 cm (50.4 in). Width: 207 cm (81.5 in). cjr
28877 Ulysses on the Island of the Phaeacians rubens Ulysses on the Island of the Phaeacians mk65 Oil on panel 50 3/8x81 1/2in Pitti,Palatine Gallery
53038 Underage Yisabela rubens Underage Yisabela mk225.1623 35.3x28.3cm
52964 Venus rubens Venus mk225 1614 51.5x79cm
41328 Venus and Adonis rubens Venus and Adonis mk161 oil on canvas 77x94
93908 Venus and Adonis rubens Venus and Adonis circa 1610(1610) Medium oil on panel Dimensions 276 x 183 cm (108.7 x 72 in) cjr
20270 Venus and Adonis (mk01) rubens Venus and Adonis (mk01) 1553-4 Oil on canvas; 186x207cm 73 1/4x81 1/2in Museo del Prado,Madrid
20271 Venus and Adonis (mk01) rubens Venus and Adonis (mk01) c.1635 Oil on canvas; 197.4x242.8cm 77 3/4x95 5/8in Metropolitan Museum of Art New York
24376 Venus and Adonis (mk27) rubens Venus and Adonis (mk27) c 1635 Oil on canvas 77 3/4 x 95 5/8''(197.4 x 242.8 cm) Metropolitan Museum of Art New York Gift of Harry Payne Bingham,1937
88529 Venus and Cupid rubens Venus and Cupid Around 1606-1611 Medium Oil on canvas Dimensions Height: 137 cm (53.9 in). Width: 111 cm (43.7 in). cjr

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rubens
Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
Peter Paul Rubens
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