Peter Paul Rubens
Peter Paul Rubens's Oil Paintings
Peter Paul Rubens Museum
June 28, 1577 – May 30, 1640. Flemish Baroque painter.

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Peter Paul Rubens
Apollo and Daphne

ID: 82101

Peter Paul Rubens Apollo and Daphne
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Peter Paul Rubens Apollo and Daphne


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Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.  Related Paintings of Peter Paul Rubens :. | nicolas de respaigne,c | Fall of the Damned | Madonna in Floral Wreath | Franceso Maria della Rovere,Duke of Urbino (mk01) | Ulysses and Nausicaa on the Island of the Phaeacians |
Related Artists:
Eugene Girardet
(Franco - Swiss, 1853 - 1907)
James Ensor
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
Archduke Rudolf of Austria
Rudolf Johannes Joseph Rainier von Habsburg-Lothringen, Archduke and Prince Imperial of Austria, Prince Royal of Hungary and Bohemia (8 January 1788 - 24 July 1831) was a Cardinal, an Archbishop of Olomouc, and a member of the House of Habsburg-Lorraine. Born in Pisa, Italy, he was the youngest son of Emperor Leopold II and Maria Louisa of Spain. He was elected archbishop of Olomouc in 1819 and became cardinal in the year 1820. In 1803 or 1804, Rudolf began taking lessons in piano and composition from Ludwig van Beethoven. The two became friends, and Rudolph became a supporter and patron of Beethoven; their meetings continued until 1824. Beethoven dedicated 14 compositions to Rudolph, including the Archduke Trio, the Hammerklavier Sonata, the Emperor Concerto and the Missa Solemnis. Rudolph, in turn, dedicated one of his own compositions to Beethoven. The letters Beethoven wrote to Rudolph are today kept at the Gesellschaft der Musikfreunde in Vienna. On 24 March 1819 he was appointed, at the age of 31, Archbishop of Olomouc in the present day Czech Republic but then part of the Austrian Empire. He was made Cardinal-Priest of the titular church of S. Pietro in Montorio by Pope Pius VII on 4 June 1819. He was ordained a priest on 29 August 1819, and consecrated a bishop on 26 September. In 1823 - 24, he was one of the 50 composers who composed a variation on a waltz by Anton Diabelli for Vaterländischer Kenstlerverein. In Rudolf's case, the music was published anonymously, as by "S.R.D" (standing for Serenissimus Rudolfus Dux).






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