Peter Paul Rubens
Peter Paul Rubens's Oil Paintings
Peter Paul Rubens Museum
June 28, 1577 – May 30, 1640. Flemish Baroque painter.

About Us
email

90,680 paintings total now
Toll Free: 1-877-240-4507

  
  

Peter Paul Rubens Gallery.org, welcome & enjoy!
Peter Paul Rubens Gallery.org
 

Peter Paul Rubens
Forest landscape

ID: 53053

Peter Paul Rubens Forest landscape
Go Back!



Peter Paul Rubens Forest landscape


Go Back!


 

Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.  Related Paintings of Peter Paul Rubens :. | Landscape with a Rainbow (mk01) | Portraits of (MK01) | Romulus and Remus. | Franz Xaver | The Education of Marie de Medici |
Related Artists:
johann tischbein
Johann Heinrich Wilhelm Tischbein, also known as Goethe-Tischbein (15 February 1751 in Haina ?C 26 February 1828 in Eutin) was a German painter. He was a descendant of the Tischbein family of painters, and a pupil of his uncle Johann Jacob Tischbein. Like many contemporary colleagues, Tischbein lived in Rome for some years. During his first stay in Rome (1779?C1781) his style changed from Rococo to Neoclassicism. He painted landscapes, historical scenes and still lifes. His second stay in Rome lasted 16 years (1783?C1799). He met Johann Wolfgang von Goethe there in 1786, made friends with him and accompanied him to Naples in 1787. Later, Goethe recounted this travel in his Italian Journey. Also in 1787, Tischbein painted his most famous work, a portrait of Goethe as a traveller in the Roman Campagna (now in the Städel museum, Frankfurt am Main). From 1808, Tischbein was a painter at the court of Oldenburg in Northern Germany.
Daniel Chodowiecki
(16 October 1726 - 7 February 1801) was a Polish - German painter and printmaker with Huguenot ancestry, who is most famous as an etcher. He spent most of his life in Berlin, and became the director of the Berlin Academy of Art. He was born in the city of Danzig in Poland, and in a letter in typical Berlin humor wrote, that he moved to Berlin, Germany, which shows for sure, that he is a 'genuine Pole'.[citation needed] He kept close to the Huguenot scene, due to his ancestry. A distant ancestor Bartholom us Chodowiecki had lived in the 16th century in Greater Poland . Gottfried Chodowiecki, Daniel's father, was a tradesmen in Danzig and his mother, Henriette Ayrer born in Switzerland, was a Huguenot. Daniel's grandfather Christian had been a tradesmen in the city as well. When his father died, both Daniel (aged 16) and his younger brother Gottfried Chodowiecki went to live with their uncle in Berlin, who offered to educate them, and where Daniel received an artistic training with the painter Haid in Augsburg. His brother also became a painter. Soon Daniel was able to earn a living by painting. He was admitted to the Berlin Academy in 1764 and became vice-director under Rhode in 1788. He had found his true calling and became the most famous German graphic artist of his time. His works include several thousand etchings, usually rather small, and many drawings and paintings. He illustrated nearly all of the great classics. His prints represent in great detail the life of the middle classes during the Zopfstil period, a time between Rococo and Classicism. In 1797 Chodowiecki was appointed director of the Academy of Arts in Berlin, where he died on 7 February 1801. The bulk of his work was in illustrating scientific books by Basedow, Buffon, Lavater, Pestalozzi and others. He also painted many portraits of Polish gentry and was interested in Huguenot and Polish history as well, making some paintings on the topic. He was in tune with the developing spirit of the age, and many works reflect the cult of sensibility, and then the revolutionary and German nationalist feelings of the end of the century.
BONZI, Pietro Paolo
ca. 1576, Cortona, d. 1636, Roma Pietro Paolo Bonzi (c. 1576-1636) also known as il Gobbo dei Carracci (hunchback of the Carracci) or il Gobbo dei Frutti (of fruits), was an Italian painter, best known for his landscapes and still-lifes. he was born in Cortona, he was part of the circle of Annibale Carracci and Domenichino, and trained under Giovanni Battista Viola in Rome. In Rome, he worked for Cardinal Pier Paolo Crescenzi in Rome. There are only two still-life paintings known with his signature; he thus forms one of the first Italian artists in Rome working in this style. The Giustiniani inventories of 1638 cite paintings by Bonzi and other still-lifes are documented in the 1670 inventory of Principe Lorenzo Onofrio Colonna's collection. He also worked in fresco and in 1622-23 worked with Pietro da Cortona on the ceiling of a gallery in the Palazzo Mattei di Giove. Other commissions cited by Baglione include his work in the Palazzo Pallavicini-Rospigliosi.






Peter Paul Rubens
All the Peter Paul Rubens's Oil Paintings




Supported by oil paintings and picture frames 



Copyright Reserved