Peter Paul Rubens
Peter Paul Rubens's Oil Paintings
Peter Paul Rubens Museum
June 28, 1577 – May 30, 1640. Flemish Baroque painter.

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Peter Paul Rubens
Portrat des Phillip

ID: 78704

Peter Paul Rubens Portrat des Phillip
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Peter Paul Rubens Portrat des Phillip


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Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.  Related Paintings of Peter Paul Rubens :. | Martyrdom of St Thomas | The Drawing (mk01) | Portrat des Phillip | Winter (mk25) | Prometheus Bound |
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Nicolae Tonitza
(Romanian pronunciation: [nikoˈla.e toˈnit͡sa]; April 13, 1886 - February 27, 1940) was a Romanian painter, engraver, lithographer, journalist and art critic. Drawing inspiration from Post-impressionism and Expressionism, he had a major role in introducing modernist guidelines to local art. Born in Bârlad, he left his home town in 1902 in order to attend the Iaşi National School of Fine Arts, where he had among his teachers Gheorghe Popovici and Emanoil Bardasare.The following year he visited Italy together with University of Bucharest students of archeology under the direction of Grigore Tocilescu.During that period, together with some of his fellow students, Tonitza painted the walls of Grozeşti church. In 1908 he left for Munich, where he attended the Royal Academy of Fine Arts; he began publishing political cartoons in Furnica, and contributing art criticism articles to Arta Română. Tonitza spent the following three years in Paris, where he visited artists' studios, and studied famous paintings.Although the young artist's creation would initially conform to the prevalent style, his gift for colour and his personal touch would eventually lead him towards experiment.Throughout his life, he remained committed to the Munich School, hailing its innovative style over the supposedly "obscure imitators of Matisse".
Serhii Vasylkivsky
(October 19, 1854, Izium e October 7, 1917, Kharkiv) was one of the most prolific Ukrainian artists of the pre-revolutionary period and an expert on Ukrainian ornamentation and folk art. Vasylkivsky grew up in an environment conducive to his development as an artist. He was born and spent his childhood in the picturesque surroundings of Izium, a city in the historical region of Sloboda Ukraine, and today's Kharkiv Oblast. The future painter had a chumak grandfather whose roots reached cossack ancestral lines. Vasylkivsky's father was a writer and taught his son the aesthetics of proper calligraphy. His mother, through her folk songs set the foundation which provided the inspiration for Vasylkivsky's art later in life. When he was seven years old, his parents moved to Kharkiv, which at the time was a significant cultural center of Sloboda Ukraine. Vasylkivsky's first art lessons were given at the Kharkiv gymnasium by Dmytro Bezperchy, a student of Karl Briullov. During the years of his study, Vasylkivsky was able to use the extensive book collection of his relative and poet, V. Alexandrov. Among these were the works by Ivan Kotlyarevsky, Taras Shevchenko, and Nikolai Gogol, which made a strong impression on the young artist. After five years of education at the gymnasium and at the demand of his father, Vasylkivsky began studies at the Kharkiv Veterinary School. This lasted until 1873, when Vasylkivsky left veterinary studies due to his parents inability to pay for tuition. For a while, he worked as a civil servant in Kharkiv.
Antonio Joli
1700-1777 Italian Antonio Joli Gallery Born in Modena, he first apprenticed with Rafaello Rinaldi. He then worked in Rome with Panini and the Galli-Bibiena studio. He became a painter of stage sets for the theater in Modena and Perugia. By 1735, he had moved to Venice and stayed till 1746, when he traveled to Germany, London (1744-48), and Madrid (1750-54). In London, he decorated the Richmond mansion of the director of the King's Theater at Haymarket, John James Heidegger. He returned to Venice in 1754, where he became on of the founding members of the Accademia di Belle Arti di Venezia. He traveled to Naples in 1762, and stayed there until he died.






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