Flemish Baroque Era Painter, 1577-1640 Related Paintings of RUBENS, Pieter Pauwel :. | Perseus Liberating Andromeda | Triumphal Entry of Henry IV into Paris | The Three Crosses | A Vase of Flowers f | The Triumph of Victory |
Related Artists:BRAY, Joseph de
Dutch painter (d. 1664, HaarlemNicolas Mignard
(1606-1668) was a French 17th Century painter. He spent most of his active life in Avignon and was the older brother of Pierre Mignard.
Nicolas Mignard was born in Troyes in 1606. There, he studied painting with a local master. After traveling to Fontainebleau, Mignard came to Avignon in 1632. He then traveled to Rome with Cardinal Archbishop of Lyon. Mignard came back to Avignon in 1636, after having executed multiple series of etching in Rome. There, he mostly painted for religious institutions. Mignard spent the end of his life in Paris, where he became a successful portrait painter. Mignard left Paris after a visit of King Louis XIV and his Court in Avignon. King Louis XIV decided to bring Mignard to Paris. Mignard eventually joined the Academie Royale.
Mignardes spending most of his life in Avignon made his career somewhat overshadowed by his little brother Pierre, who was installed in Paris. After his death, paintings by Nicolas Mignard mostly stayed in Avignon or in small cities around Avignon. During the French Revolution, as these paintings were taken over, most of them were attributed to Pierre Mignard.
His art is now rediscovered. His style is typical of the Italianate classicizing aesthetic that dominated seventeenth-century France, and obviously was very much influenced by French classical Baroque painter Poussin.
Nicolas Mignard died in 1668 in Paris.
Aert de Gelder
Dutch painter and draughtsman. He was the son of a wealthy Dordrecht family and probably became a pupil of Samuel van Hoogstraten in 1660. Apparently on the advice of van Hoogstraten, de Gelder moved to Amsterdam and entered Rembrandt workshop, possibly c. 1661. It is commonly assumed that he stayed there about two years. He was Rembrandt last pupil. After completing his apprenticeship, de Gelder returned to Dordrecht, where he worked for the rest of his long career. Considering that de Gelder was active for more than half a century, his output of just over 100 paintings seems low, probably because he was financially independent. Of those paintings accepted as by him, only 22 are dated, creating considerable problems in establishing a chronology.