Peter Paul Rubens
Peter Paul Rubens's Oil Paintings
Peter Paul Rubens Museum
June 28, 1577 – May 30, 1640. Flemish Baroque painter.

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RUBENS, Pieter Pauwel
The Martyrdom of St Livinus

ID: 51067

RUBENS, Pieter Pauwel The Martyrdom of St Livinus
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RUBENS, Pieter Pauwel The Martyrdom of St Livinus


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RUBENS, Pieter Pauwel

Flemish Baroque Era Painter, 1577-1640  Related Paintings of RUBENS, Pieter Pauwel :. | Woman with a Mirror | The Incredulity of St Thomas | The Holy Family with St Anne | Tereus Confronted with the Head of his Son Itylus | Triumphal Entry of Henry IV into Paris |
Related Artists:
Rudolf Ernst
1854-1932
mark tobev
Tropicalia, also known as Tropicalismo, is a Brazilian art movement that arose in the late 1960s and encompassed theatre, poetry, and music, among other forms. Tropicalia was influenced by poesia concreta (concrete poetry), a genre of Brazilian avant-garde poetry embodied in the works of Augusto de Campos, Haroldo de Campos, and Decio Pignatari, among a few others. However, Tropicalia is associated almost exclusively with the musical expression movement, both in Brazil and internationally, which arose from the fusion of several musical genres, like Brazilian and African rhythms and rock and roll.
RIBALTA, Francisco
Spanish Baroque Era Painter, ca.1565-1628 He was the most distinguished artist working in Valencia in the early 17th century. His move towards naturalism at an early date was significant for the history of Spanish painting as well as being very influential. His documented mature works after about 1620 show a change of vision, and they are also of the highest quality. The religious paintings are depicted with more pronounced realism, and his deeply felt spiritual belief is expressed in a direct and very immediate way. In 1607 Ribalta supported other leading Valencian painters in a move to form the Colegio de Pintores (College of Painters) to safeguard the interests of the profession. The expulsion of the Moriscos in 1609 and the death in 1611 of the Patriarch Archbishop Juan de Ribera, Ribalta's most important patron, led to an economic crisis and spiritual void in Valencia that had an effect on his activity, since thereafter commissions came more rarely, and his work became more introspective. During 1616 and 1617 the idea of forming the Colegio de Pintores was revived, and Ribalta took an active role in the management and signed the petition to Philip III seeking support for the Colegio.






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